This is a piece made with the entire orchestra. It’s Epic, it’s a finale. I’m going to make some kind of video with it :) I finally learned how to use convolution reverb to place my instruments in the space. Convolution reverb is amazing! basically what these guys did is played a sin wave in the best orchestral stages in the world and then canceled the wave out digitally leaving an algorithm of the space so that you can have your orchestra “inside” the space. Add to this the fact that the samples I use are recorded in their proper stage positions and viola! I have my sampled orchesta that sounds as real as technology can make it. The next thing I learned that I love using here is divisi in the strings. I have my rhythmic motif being played in 16ths in the Violins and Violas and 8ths in the Celli and Basses. The Melody, which is intentionally lower in the mix is played by the French Horn section and then joined in the climax by the trumpet section. Since the high strings are playing so fast I avoided using percussive rhythms to avoid over filling the space and instead accentuate key portions with Timpani, Cymbals and a Wagner Bass Drum. Woodwinds are also used to accentuate the feeling of the piece. This was actually really difficult to pull off because of all the complex midi programming involved and all the automation to get the instruments to behave properly in their parameter changes.
It’s been too long friends! It’s been a really long time since I posted anything new but I’ve been busy with the motions of life. Anyways, I’ve been taking a tango class now that I live in New York and I decided to study up on tango music and I gave it my first shot today. Turns out tango is easy music to write and is a lot of fun and you can do just about anything with it that you want to. I love the dance now I love the music. Tell me what you think! I give you, “El Tango De Brooklyn”!
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Es ist zu lange Freunde gewesen! Es ist eine wirklich lange Zeit, da ich etwas Neuesgeschrieben, aber ich habe mit den Bewegungen des Lebens beschäftigt. Sowiesohabe ich nehme ein Tango-Klasse jetzt, dass ich in New York leben und ichbeschlossen, Studie erstellen zu Tangomusik, und ich gab es mein erstes heute erschossen. Stellt sich heraus, Tango ist einfach Musik zu schreiben und eine MengeSpaß und man kann einfach alles mit, dass Sie dies möchten. Ich liebe den Tanz jetzt liebe ich die Musik. Sag mir, was Sie denken! Ich gebe dir, ”El Tango De Brooklyn”!
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Tem sido amigos por muito tempo! Tem sido um tempo muito longo desde que eu postei nada de novo, mas eu estive muito ocupado com os movimentos da vida. De qualquer forma, eu tenho que tomar uma aula de tango agora que eu moro em NovaYork e eu decidi estudar em cima da música de tango e eu dei-lhe o meu hoje o primeiro tiro. Acontece que o tango é a música mais fácil de escrever e é muito divertido e você pode fazer praticamente qualquer coisa com ela que você deseja. Euamo a dança agora eu amo a música. Diga o que você pensa! Eu dou-lhe, “El TangoDe Brooklyn”!
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它已经太久的朋友！这是一个很长的时间，因为我发表任何新的东西，但我一直在和生活忙碌的议案。不管怎么说，我已经采取了探戈类现在，我在纽约生活，我决定研究探戈音乐了，我给了今天是我的第一炮。原来，探戈音乐是很容易写，是有很多乐趣，你可以用它做什么只是你想要。我喜欢跳舞吧我爱的音乐。告诉我你的想法！我给你，“厄尔尼诺探戈德布鲁克林“！
This is my arrangement so far of the main theme from Metal Gear Solid 2, I’m trying to get my stuff going on ocremix.org. ocremix.org is a website that has composers and arrangers take music from video games and bring them to life in their own arrangements. It’s pretty tough to get a piece on the site, I submitted a piece over a year ago and was rejected outright. I like to arrange something every now and then so that I can hone the skills of an arranger and bring fresh insight into my own compositions. Anyways, this isn’t finished yet but I wanted to post it and get some feedback before I submit this.
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Dies ist mein bisher Anordnung des Hauptthemas aus Metal Gear Solid 2, versuche ich meine Bestellung erhalten, gehend auf ocremix.org. ocremix.org ist eine Webseite, Komponisten und Arrangeure hat zu Musik aus Videospielen und bringen sie zum Leben in eigenen Arrangements. Es ist ziemlich hart, um ein Stück auf der Website zu erhalten, legte ich ein Stück vor über einem Jahr und wurde rundheraus abgelehnt. Ich mag jetzt jeder etwas zu ordnen und dann so, dass ich die Fähigkeiten der Arrangeur schärfen und bringen frischen Einblick in meine eigenen Kompositionen. Sowieso ist das noch nicht fertig, aber ich wollte es nach und holen Sie sich Feedback, bevor ich diesen vorlegen.
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Este é o meu arranjo tão longe do tema principal de Metal Gear Solid 2, eu estou tentando buscar as minhas coisas acontecendo ocremix.org. ocremix.org é um site que tem os compositores e arranjadores levar a música de video games e trazê-los para a vida em seus próprios arranjos. É muito difícil conseguir um pedaço do site, eu enviei um pedaço mais de um ano atrás e foi rejeitada de imediato. Eu gosto de arranjar algo de vez em quando para que eu possa aprimorar as habilidades de um arranjador e trazer uma nova visão do meu composições próprias. De qualquer forma, este ainda não está terminado, mas eu queria publicá-la e obter algum feedback antes de eu apresentar isso.
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这是我的安排迄今从潜龙谍影2个主要的主题，我想把我的东西就ocremix.org此案。 ocremix.org是一个网站，已采取的作曲家和编曲从视频游戏音乐，使他们生活在自己的安排。这是非常艰难获得网站上的一块，我提交了一份一年多前，被断然拒绝一块。我想安排些什么，然后现在让我磨练的编曲的技能和我自己的作品带入新的见解。不管怎么说，这是还没有完成，但我想张贴出来，得到一些反馈之前，我提出这一点。
I had these 5 awesome vocal samples that were cool and I thought, “Hey, what if I tried to make these notes work together in a song?” so instead of warping the pitch of these samples I simply threw them together with some chord progressions and added an organ and some synth work. I plan on doing more with this kind of thing in the future, and even though this one could use more work I have other projects that are much better that I would rather spend my time on. So I hope you enjoy this little fusion of mine.
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Ich hatte diese 5 awesome Vocal-Samples, die cool waren und ich dachte: “Hey, was ist, wenn ich um diese Notizen arbeiten zusammen in einem Song versucht?” Also statt Verziehen der Tonhöhe dieser Proben habe ich einfach warf sie zusammen mit einigen Akkordfolgen und fügte eine Orgel und einige Synthesizer arbeiten. Ich plane mehr zu tun mit dieser Art der Sache in der Zukunft, und obwohl dies könnte man mehr Arbeit verwende ich andere Projekte haben, die viel besser, daß ich lieber verbringe ich meine Zeit auf sich. Also ich hoffe, Sie genießen diese kleine Fusion von mir.
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Eu tinha esses 5 awesome amostras vocais que eram legais e eu pensei: “Ei, o que se eu tentasse fazer estas notas trabalhar juntos em uma canção?” Então, ao invés de entortar o tom destas amostras eu simplesmente joguei junto com algumas progressões de acordes e acrescentou um órgão e alguns trabalhos de synth. Estou pensando em fazer mais com esse tipo de coisa no futuro, e mesmo que este poderia usar mais trabalho, tenho outros projetos que são muito melhores que eu prefiro gastar meu tempo. Então eu espero que você aprecie esta fusão pouco da minha.
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我有这5真棒的凉爽，我想，“嘿，如果我试图让这些笔记一起工作的一首歌曲演唱样本吗？”所以不要对这些样品的翘曲球场我只丢了一些和弦级数它们放在一起，增加了机关和一些合成器的工作。我计划做了这样的事情在未来更多的此类，尽管这一个可以使用更多的工作，我有好多，我宁愿用我的时间在其他项目上。因此，我希望你喜欢我这一点融合。
I’m posting this piece of crap to let everyone know that there is a learning curb for everything. I’ve now been composing for three years and I’m just barely starting to learn about electronic and dance music. There is a huge learning curb for music like this, and contrary to what people may believe this stuff is actually hard to get the hang of, every effect and morphing of the sound has a name and a genre of origin, and artist who uses it as his/her trademark sound and so on. My goal is to not only get better at Orchestral and Ethnic styles of music, but also learn as much about these kinds of music too. So I hope that in the future I can create some absolutely insane electronic stuff, right now my goal is just to make sure that my next piece doesn’t sound so much like you are playing Sonic The Hedgehog. If anyone has any questions about any part of composition feel free to ask me using the “ask me anything” feature to the right under the “about me” section.
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Ich bin dieses Posting Stück Scheiße, damit jeder weiß, dass es einen Bordstein Lernen für alles. Ich habe jetzt seit drei Jahren zu komponieren und ich bin gerade noch ab, über elektronische Tanzmusik und lernen. Es gibt eine riesige Lernen Bordstein für Musik wie diese, und im Gegensatz zu dem, was Menschen mögen glauben, dieses Zeug ist wirklich schwer zu bekommen, der Hang, jede Wirkung und Morphing der Sound hat einen Namen und ein Genre, Ursprungsland, und Künstler, die es benutzen als seine Trademark-Sound und so weiter. Mein Ziel ist es nicht nur besser auf Orchester-und ethnischen Stilen der Musik zu bekommen, sondern lernen auch, wie viel über diese Art von Musik auch. So hoffe ich, dass ich in Zukunft einige absolut verrückt elektronischen Bestellung zu schaffen, jetzt ist mein Ziel, nur um sicherzugehen, dass mein nächstes Stück nicht so viel klingen wie Sie spielen, Sonic The Hedgehog. Wenn jemand irgendwelche Fragen zu irgendeinem Teil der Zusammensetzung fühlen sich frei, mich zu fragen, durch die “fragen Sie mich nichts”-Funktion auf der rechten Seite unter “Über mich” Abschnitt.
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Eu estou postando este pedaço de merda que todos saibam que existe um freio de aprendizagem para tudo. Já foram compor de três anos e eu sou apenas mal começam a aprender sobre música eletrônica e dance. Há um freio de aprendizagem enorme para a música assim, e contrariamente ao que as pessoas podem acreditar que este material é realmente difícil de pegar o jeito, e cada efeito morphing do som tem um nome e um gênero de origem, e um artista que usa-lo como o som da sua marca / ela e assim por diante. Meu objetivo é não só melhorar a orquestra e os estilos de música étnica, mas também aprender muito sobre como esses tipos de música também. Portanto, espero que no futuro eu possa criar alguma coisa absolutamente insano eletrônico, agora meu objetivo é apenas para ter certeza que a minha próxima peça não soa tanto como você está jogando Sonic The Hedgehog. Se alguém tiver alguma dúvida sobre qualquer parte da composição não hesite em perguntar-me com o “me pergunte nada” recurso para a direita sob o título “sobre mim” seção.
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我张贴这片垃圾，让每个人都知道，有一个学习的一切限制。我现在已经组成了3年，我只是刚刚开始了解电子音乐和舞蹈。有这样庞大的学习音乐制止，并违反人们可能认为这东西其实是很难找到窍门，每一个声音效果和变形有一个名字和一个原籍流派和艺术家谁使用它他/她的商标健全等。我的目标是不仅能更好地管弦乐和民族风格的音乐，而且对音乐的学习作为这些种类太多。因此，我希望在未来我可以创造一些绝对疯狂的电子的东西，现在我的目标就是要确保我的下一段不喜欢你这么多声音正发挥着刺猬索尼克。如果有任何人对任何组成部分的任何问题随时问我用“问我什么”下的“关于我”的部分功能的权利。
What I Wished I’d Known Before I started Composing
This post is the first of a series of posts that deal with how anyone anywhere can start making music. In this post I want to cover a couple of basic things that I have learned that will make your life writing songs much much easier.
1. Unless you are going to school specifically for composition, film scoring, audio mastering or something similar (most composers don’t since the majority of composers are hobbyists with other concerns in their lives…like me) the majority of what you learn in a music program outside of music theory is going to be out-of-date material that no longer applies to the work and process of a composer. rarely will you be introduced to computer tools other than notation software.
2. It takes a long time (but not too long) to build the skill of composing but know that anyone can do it. Did you hear me? ANYONE can be a composer and a damned good one too. which means…
3. Composers aren’t magical people who somehow channel divine inspiration through their music. Music has rules, and though there are infinite ways to apply them, the greatest music has always been made by the people who understand the rules the best. In some ways the rules are music theory, but the majority of the rules are defined by taste. More on this later.
4. You will never be satisfied. No matter how far you’ve come you will never think that your music is perfect, that nothing can be added or taken away. You will always be experimenting and you’ll use a lot of the same ideas over and over again. This is good, it means you are mastering something. You will reach a point where what you’ve written all sounds good, and many will sound amazing, but you will always grow bored of it and make another.
5. When you finally learn what tools you need to make what you want to make it is going to seem like a lot of money, just use the basic principals of saving and goal setting and before you know you’ll have what you need and always be able to get what you want.
6. Everything is hard at first. Your first breath was hard, your first step took lots of practice and learning to use the tools to make music is going to be hard too…for about a month. But remember that once you pass that threshold you are going to get really good at it really fast. Progress is almost always exponential.
Keep these in mind and check back soon, I will be making posts that cover the following topics and more:
- What do I need to know to write a song? (resources for basic music theory and where to get advanced theory from there)
- writing with pen and paper sucks! (acoustic music, and an introduction to notation software and how to write music that is going to be played live)
- Sampling, the composers dream come true! (Electronic music, explaining sampling technology and it’s applications)
- Picking your DAW (digital audio workstation) and learning to compose with sampling technology.
- Using your DAW and your samples to create either acoustic tracks, electronic tracks or combinations of both.
- An introduction to mastering and post production.
I really like strings, and the more I learn about them and how to use them the more in love with them I become. I know this song is short but it’s to the emotional point and it’s actually just beautiful. I love it when I sit down to write, I never know what I’m going to write; I’m not one of those people who get and idea and then go write it. I work by putting down a couple of notes or a chord and then building the song from there.
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Ich mag Saiten, und je mehr ich über sie lernen und wie man sie benutzt desto mehr in der Liebe mit ihnen werde ich. Ich kenne dieses Lied ist kurz, aber es ist die emotionale Punkt und es ist wirklich einfach schön. Ich liebe es, wenn ich mich hinsetzen zu schreiben, ich weiß nie, was ich schreibe, ich bin nicht einer jener Menschen, die Idee kommen und dann schreibe ich es. Ich arbeite, indem sie sich ein paar Notizen oder einen Akkord und dann den Aufbau des Liedes von dort.
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Eu realmente gosto de cordas, e quanto mais eu aprendo sobre elas e como usá-los mais no amor com eles eu me tornei. Eu sei que essa música é curta, mas é o ponto emocional e é realmente muito lindas. Eu adoro quando me sento para escrever, nunca sei o que vou escrever, eu não sou uma daquelas pessoas que ficam e uma idéia e depois ir escrever. Eu trabalho, colocando abaixo um par de notas ou uma corda e em seguida, construir a música de lá.
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我真的很喜欢字符串，我越了解他们，与他们如何使用他们在我变得更爱。我知道这首歌很短，但它的情绪点，它实际上只是美丽。我喜欢它，当我坐下来写，我从来不知道我会写，我不是这些人谁获得和想法，然后一口气写。我放下工作的音符或和弦夫妇，然后从那里建设的歌曲。
This is the latest in my experimentation with string work, and a little bit of experimentation with brass harmony relationships. Though I think the ending is a little disappointing and the song is short it’s still everything I wanted it to be and a little more. I’m learning more and more about EQ and compression but I’m still far from mastering mastering. I hope you like it.
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Dies ist die neueste in meiner Experimente mit string arbeiten, und ein wenig Experimentieren mit Messing Harmonie Beziehungen. Obwohl ich glaube, das Ende ist ein wenig enttäuschend, und das Lied ist kurz es ist immer noch alles, was ich wollte, dass es sein und ein wenig mehr. Ich lerne immer mehr über EQ und Kompression, aber ich bin noch weit davon entfernt Mastering Mastering. Ich hoffe es gefällt euch.
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Este é o último de minha experiência com o trabalho de cordas, e um pouco de experimentação com harmonia as relações de bronze. Embora eu acho que o termo é um pouco decepcionante ea canção é curto ainda é tudo que eu queria que fosse e mais um pouco. Eu estou aprendendo mais e mais sobre equalização e compressão, mas ainda estou longe de dominar a masterização. Espero que gostem.
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这是我用绳子最新实验工作，并与和谐的关系，实验黄铜点点。虽然我认为结局有点令人失望，这首歌是短期它仍然是一切，我希望它是，多一些。我学习更多有关EQ和压缩以上，但我根本掌握掌握之中。我希望你喜欢。
falantes de Português
Para todos os falantes de Português ouvir a minha música: Quer mais música como o que está sendo passada ao redor?
This is my rough sketch experimentation with middle-east-like music. It’s an Oud, a Santoor, a duduk, a hang Drum, A Doumbek, Small ethic percussion, solo violin, and various other things.
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Dies ist meine grobe Skizze Experimentieren mit Middle-East-wie Musik. Es ist ein Oud, eine Santur, ein Duduk, ein Hang Drum, A Doumbek, Ethik Small Percussion, Violine solo und verschiedene andere Dinge.
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Este é o meu esboço de experimentação com a música do Oriente Médio-like. É uma Oud, um Santoor, um duduk, uma parada tambor, um Doumbek, percussão ética de pequeno porte, para violino solo, e várias outras coisas.
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这是我与中东，喜欢音乐粗糙素描实验。这是一个乌德琴，一Santoor，一duduk，一挂鼓，一个Doumbek，小伦理打击乐，小提琴独奏，以及其他各种东西。
I felt like writing a march. something slower and more sad. I can’t quite seem to write anything but stuff that would be used in a movie, but that is ok because it’s my favorite kind of music.
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Ich fühlte mich wie das Schreiben eines Marsches. etwas langsamer und traurig. Ich kann nicht ganz offensichtlich alles andere als Sachen, die in einem Film verwendet werden, wäre zu schreiben, aber das ist ok, weil es mein Lieblings-Art von Musik ist.
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Senti-me como escrever uma marcha. algo mais lento e triste. Eu não posso parecem bastante para escrever alguma coisa, mas o material que seria usado em um filme, mas isso é ok, porque é o meu tipo favorito de música.
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我感觉写的游行。慢，更可悲的事情。我似乎不太能写什么东西，但将使用在电影，但这是OK的，因为这是我最喜欢的音乐种类。
just some fun with percussion and poly-rhythms. more like a musical doodle.
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nur etwas Spaß mit Schlagzeug und Poly-Rhythmen. eher wie eine musikalische doodle.
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apenas diversão com alguns percussão e poli-ritmos. mais parecido com um doodle musical.
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只是一些有趣的打击乐和聚节奏。更像一个音乐涂鸦。
Life has settled into a monotonous three months of boredom. To shake things up I decided to go back and write a more upbeat track and focus a lot on the percussion. At this point this is probably my favorite thing I’ve ever written (hurray, almost 2 years of being able to read and write music!) and I hope it only stays that way for a couple of days :) I decided to build this in four section, though an odd number usually makes for more interesting contour I thought in this case that 4 was what I needed. I wanted to put poly-rhythms in the percussion solo but it just wasn’t working. There is a small double reed part and the brass is an incomplete section. I love it and I hope you will too. If you listen to it with headphones you’ll really hear the percussion FX I implemented, especially at the end with this drum hit I morphed to shake the foundations of the world :)
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Life hat sich zu einem monotonen drei Monaten der Langeweile erledigt. Um schütteln Dinge ich zurück gehen und schreiben Sie eine Spur optimistischer und konzentrieren sich sehr auf das Schlagzeug entschieden. An diesem Punkt ist dies wahrscheinlich mein Favorit, was ich jemals geschrieben habe (hurra, fast 2 Jahre in der Lage zu lesen und zu schreiben, Musik!) Und ich hoffe es bleibt so nur für ein paar Tage:) Ich habe beschlossen, diese zu bauen in vier Kapitel, wenn eine ungerade Zahl ist in der Regel für mehr interessante Contour I in diesem Fall gedacht, dass 4 war, was ich brauchte. Ich wollte Poly-Rhythmen im Schlagzeug solo gestellt, aber es war einfach nicht funktioniert. Es gibt einen kleinen Teil Double Reed und The Brass ist eine unvollständige Abschnitt. Ich liebe es und ich hoffe, Sie auch. Wenn Sie hören es mit Kopfhörern Sie wirklich hören, das Schlagzeug FX I umgesetzt, vor allem am Ende mit diesem Hit I verwandelt, die Grundlagen für die Welt erschüttern drum:)
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A vida tem-se transformado num monótono três meses de tédio. Para agitar as coisas que eu decidi voltar e gravar uma faixa mais otimista e focar muito na percussão. Neste momento esta é provavelmente a minha favorita coisa que eu já escrevi (viva, quase dois anos de ser capaz de ler e escrever música!) E espero que ela só fica desse jeito por um par de dias:) eu decidi construir este em quatro secções, embora um número ímpar normalmente faz para dar contorno mais interessantes que eu pensei que neste caso 4 foi o que eu precisava. Eu queria colocar poli ritmos de percussão no solo, mas simplesmente não estava funcionando. Há uma parte pequena palheta dupla eo bronze é uma secção incompleta. Eu amo ele e eu espero que você também. Se você ouvir com fones de ouvido você realmente ouvir a percussão FX eu implementados, especialmente no final com esse tambor hit I transformou a sacudir as fundações do mundo:)
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生活已经尘埃落定后单调乏味3个月。要动员群众，我决定回去写一个更乐观的跟踪和集中敲击了很多东西。在这一点，也许是我最喜欢的事情我曾经写了（欢呼，几乎2能阅读和书写音乐年！），我希望这只是停留了两天：）我决定建立这个这样在四节，虽然是单数，往往能有4个是我需要更有趣的轮廓我认为在这种情况下。我想放在打击乐独奏聚节奏，但它只是没有工作。有一个小双簧的一部分，铜是一个不完整的部分。我喜欢它，我希望你也会这样做的。如果它与耳机听你真的听到敲击效果我实现，特别是在我打这个鼓变形动摇世界的根基年底，：）
I guess I seem to make every track for fun, but this one was actually fun for me. Though the orchestration is a little thin I still like the big drama of it all.
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Ich schätze, ich scheine zu jedem Track zum Spaß machen, aber diese war wirklich lustig für mich. Obwohl die Orchestrierung ist ein wenig dünn gefällt mir immer noch die großen Dramen des Ganzen.
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Eu acho que parece fazer toda a via para se divertir, mas este era realmente divertido para mim. Embora a orquestra é um pouco magro Eu ainda gosto do grande drama de tudo isso.
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我想我的乐趣似乎让每个轨道，但实际上这对我来说是一个乐趣。虽然业务流程是一个小我还是喜欢它的所有的大型话剧薄。
About me
This is about doing what you love, not about loving what you do. This is where people can enjoy my music and learn about the world of music production.-
Dies ist zu tun, was du liebst, nicht zu lieben, was du tust. Dies ist, wo man meine Musik zu genießen und zu lernen über die Welt der Musikproduktion.
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Trata-se de fazer o que você ama, não sobre o amor que você faz. Este é o lugar onde as pessoas podem desfrutar de minha música e aprender sobre o mundo da produção musical.
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这是关于你爱做什么，不知道爱你怎么做。这是人们可以欣赏我的音乐，了解音乐制作的世界。
